The Hobbit: Illustrated by the Author

Product Information

It could be called Adventures of Tom Bombadil & other talesA collection of previously illustrated works with a few extra illustrations mixed in for padding, I could probably get behind that, because I agree the design/format is nice enough (though I'm still unsure on the green for Sil). O inglês de “O Hobbit” é relativamente simples; embora o autor utilize alguns termos arcaicos, sua sintaxe é clara e o vocabulário pode ser dominado logo (sugiro a consulta ao “Google Imagens” para os nomes de acidentes geográficos). In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort. » The Hobbit Illustrated will feature a forward by Christopher Tolkien, with additional notes from Tolkien scholars Wayne G. Hammond and Christina Scull. Here’s an exclusive look at one of the spreads you’ll find in The Hobbit Illustrated:

For the first time ever, a beautiful slipcased edition of the enchanting prelude to The Lord of the Rings, illustrated throughout with over 50 sketches, drawings, paintings and maps by J.R.R. Tolkien himself, with the complete text printed in two colours and with many bonus features unique to this edition. The tale of the little hobbit on a big adventure was first read by the professor to his children as part of their winter “reads,” using his “home manuscript” of the story. Imagine hearing the tale told to you by its author, spun from golden yarn as he wove the adventure for you thread by thread? Christopher Tolkien recalls that special time in his foreword included in this new illustrated edition of The Hobbit, and leading Tolkien scholars Wayne G. Hammond & Christina Scull add that, in this “home manuscript”, Tolkien would have been free to illustrate his story using any medium he wanted to: colored pencil, chalk, crayon, ink and washes, a far cry from the restrictions imposed by the publisher on the illustrations printed in the published book. When Thorin Oakenshield and his band of dwarves embark upon a dangerous quest to reclaim the hoard of gold stolen from them by the evil dragon Smaug, Gandalf the wizard suggests an unlikely accomplice: Bilbo Baggins, an unassuming Hobbit dwelling in peaceful Hobbiton. In creating the artwork for The Hobbit, Tolkien borrowed from a short story he had written for his son Michael, titled “Roverandom.” In 1962, shortly before she received the prestigious Hans Christian Andersen award, beloved Swedish-speaking Finnish artist, writer, and Moomin creator Tove Jansson illustrated a Swedish edition of The Hobbit. Janssen was at the peak of her career and brought to the Tolkien classic her signature touch of subtly wistful whimsy.

Customer reviews

I present only a singular critique of this film and it has nothing to do with the body of the movie itself: I feel compelled to comment that the decision to incorporate the endless scroll of Tolkien Fan Club members' names within the end credits is ill-advised and indirectly demeaning to the actual cast and crew. What do these people actually contribute to the film's production? Loyalty and moral support? The folks who have indeed delivered something more tangible are appropriately noted elsewhere within the credits. But most of the listed individuals have played no real part whatever, regardless of the syrupy patronization conducted by the film-makers toward this particular faction of Tolkien enthusiasts. Including these names in the film credits, which also takes in the so-called self-appointed "guardians" of Tolkien's work [a trivial minority of Tolkien Fan Club members], amounts to little more than a shallow ego-bribe. It's presumptuous as the devil to assert that Tolkien's books *need* guarding by anyone -- the affiliation here is more akin to pretentious posthumous tail-gating on the venerable Old Master. Part I largely focuses upon the history of the dwarves and the initial hazards that they encounter during their single-minded quest, chiefly battling orcs in the Misty Mountains and finishing with their tribulations with the giant spiders of the vast and ominous Mirkwood forest. The return of Mr. Bilbo Baggins created quite a disturbance, both under the Hill and over the Hill, and across the Water; it was a great deal more than a nine days’ wonder.»

In addition to being a talented wordsmith, Tolkien also created many incredible works of art for his writings. Over the years, we’ve seen more of these pieces released in many ways. And that includes in new editions of The Lord of the Rings books. And now, it’s The Hobbit‘s turn. Releasing this fall is a brand-new version of this Tolkien text. And this edition of The Hobbit comes complete with “over 50 sketches, drawings, paintings and maps by J.R.R. Tolkien, himself.” Not to mention, the complete text comes printed in two colors. Here’s what we know about this new The Hobbit illustrated edition. HarperCollins PublishersThe description for this new edition of The Hobbit shares more about what we can expect from the tome: In October of 1936, Tolkien delivered to his publisher the manuscript of The Hobbit, in which he included more than 100 illustrations — Tolkien, unbeknownst to many, was a rather gifted and prolific artist. These manuscript drawings were recently released in The Art of the Hobbit ( public library) — a magnificent volume celebrating the 75th anniversary of The Hobbit with 110 beautiful, many never-before-seen illustrations by Tolkien, ranging from pencil sketches to ink line drawings to watercolors. Por fim, Tolkien mostra-se habilidoso na técnica de produzir tempo e espaço com palavras. “O Hobbit” é um conto de aventura e viagem, e para descrever uma viagem é preciso fazer com que a distância entre os diferentes cenários deixe-se sentir por mais do que palavras indicativas de lapso temporal (“três dias”) ou espacial (“trinta milhas”). Writing about the allure of fantasy, J.R.R. Tolkien famously asserted that there is no such thing as writing “for children”— that’s perhaps why his stories continue to enchant generations and attract admirers of all ages. Tolkien’s first major work, The Hobbit ( public library) — which predates his epic novel The Lord of the Rings by nearly 20 years — was published in 1937 and in the years since has drawn remarkable international acclaim. Because the story is driven by visual whimsy, it has also produced a number of vibrant illustrated editions from all around the world, beginning with Tolkien’s own artwork for the original edition, which I wrote about some years ago. Here are a few favorites. J.R.R. TOLKIEN (GREAT BRITAIN, 1937)

Ulmo wrote:I dunno. It’s kind of fun that they started with the “illustrated” concept, and tried out to see what they could pull off by stretching the concept to its limits. Even without the illustrations, these books are an attractive format, which people are obviously (I would say) buying. So let’s see if we can stretch the definition further, with a little imagination… In 1967, six years after legendary editor Ursula Nordstrom had nurtured his creative direction and four years after his iconic Where the Wild Things Are, 39-year-old Maurice Sendak was commissioned to illustrate a 30th anniversary edition of The Hobbit. But the project fell through, leaving behind only a single surviving drawing, which Open Culture unearthed. This new edition of The Hobbit follows similar editions of Tolkien’s other books featuring the author’s hand-drawn maps and artwork. There’s The Lord of the Rings Illustrated, which came out in 2021 and The Silmarillion Illustrated, which arrived last fall.

From the publisher

For the first time ever, a special enhanced edition of the enchanting prelude to The Lord of the Rings, illustrated throughout with over 50 sketches, drawings, paintings and maps by J.R.R. Tolkien himself and with the complete text printed in two colours. In the first of the two *The Hobbit* entries [sub-titled: *Into The Wilderness*], a more youthful Bilbo Baggins is craftily crow-barred by Gandalf into embarking upon a great adventure (Hobbits *despise* adventures!) and by serving as a burglar for a grumbly troupe of thirteen dwarves, all of whom are determined to reclaim their lost family treasure from the Evil dragon, Smaug; however, the actual battle with Smaug at the Lonely Mountain will have to wait until Part II [to be entitled: *Into the Fire*] is released. Speaking about this, Chris Smith from HarperCollins said: “ The tale of the little hobbit on a big adventure was first read by the professor to his children as part of their winter reads, using his ‘home manuscript’ of the story. Imagine hearing the tale told to you by its author, spun from golden yarn as he wove the adventure for you, thread by thread? Christopher Tolkien recalls that special time in his foreword included in this new illustrated edition of The Hobbit, and leading Tolkien scholars Wayne G. Hammond and Christina Scull add that, in this ‘home manuscript’, Tolkien would have been free to illustrate his story using any medium he wanted: coloured pencil, chalk, crayon, ink and washes, a far cry from the restrictions imposed by the publisher on the illustrations printed in the published book. consisting of essentially Poems and Stories + Bilbo’s Last Song + fold-out maps—all her Tolkien maps!