La Paresseuse

Product Information

Paul died at his father's house in April 1900, aged 32; Bouguereau had outlived four of his five children, only Henriette outlived him.

In this respect, the data protection declaration of the respective payment service provider applies. The idealized world of his paintings brought to life goddesses, nymphs, bathers, shepherdesses, and madonnas in a way that appealed to wealthy art patrons of the era.

As was typical of such commissions, he would sometimes paint in his own style, and at other times conform to an existing group style. The Certificate of Authenticity which arrives with every painting provides an assurance and verifies the authenticity of the hand painted fine art reproduction you purchased. Every painting is infused with a unique personality and an unrivaled value, showcasing art in its rawest and most authentic form just for you.

Discover the allure of art with our faithful reproduction of "La Paresseuse", originally brought to life by the talented Maurice Barraud.Cécile Chaminade (1857-1944) was one of the most successful female professional musicians of the 19th century, specialising in piano and vocal works and amassing a fortune during her lifetime. We believe in the quality of our hand-painted oil painting reproductions, and your satisfaction is our priority. Three paintings were shown at the 1863 Salon and Holy Family (Now at Chimei Museum) was sold to Napoleon III, who presented it to his wife the Empress Eugénie, who hung it in her Tuileries apartment.

We are dedicated to creating only 100% handmade oil painting reproductions to ensure a faithful and museum-quality replica of Indolence (La Paresseuse Italienne) 1756, as originally created by Jean Baptiste Greuze. Every detail, every stroke, and every texture is meticulously recreated, paying the perfect homage to Maurice Barraud and his artistic vision.

Des tisanes aux bouillons, on reconnait là un vrai savoir faire, le tout sublimé d'un packaging de folie ! William-Adolphe Bouguereau (French, 1825–1905) French 1825 1905 Title: LA PARESSEUSE , 1901 Medium: oil on canvas Size: 156. pour ce nouveau format, j'aime depuis bien longtemps morphée qui m'aide à m'endormir le soir et a un petit goût très agréable et naturel, menthe et fleur d'oranger me font vite sombrer dans les bras de morphée. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average.

From the 1860s, Bouguereau was closely associated with the Académie Julian where he gave lessons and advice to art students, male and female, from around the world. An additional 3 inches of blank canvas on all sides is applied leaving plenty of room for framing or mounting. You can find the available options on this page, located just below the image of the painting itself. This access data is evaluated exclusively for the purpose of ensuring the trouble-free operation of the site and improving our offer. Here one might see the influence not only of Caravaggio but of Subleyras, notably in the beautiful response to tones of cream and white, set off by passages of warm colour, like the girl's scarlet shoes.

The young fruit picker of the present work is either Jeanne or Marguerite, the sisters of Yvonne, one of his favorite models. In 1866, the year of his marriage to Nelly, he bought a vast plot of land on the rue Notre-Dame-des-Champs, and an architect was commissioned to design a grand house with a top-floor studio. In 1856, William began living with one of his models, Nelly Monchablon, a 19-year-old from Lisle-en-Rigault. Although he had a strong admiration for all traditional art, he particularly revered Greek sculpture, Leonardo da Vinci, Raphael, Michelangelo, Titian, Rubens and Delacroix. This lends an intriguing nuance to the work and suggests that Greuze was interested in capturing beauty and humanity in all forms of life.