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a b Phillips, Mike (January 29, 2005). "Review: On Beauty edited by Umberto Eco". the Guardian . Retrieved June 3, 2023. The philosophical study of the aesthetic object. This approach reflects the view that the problems of aesthetics exist primarily because the world contains a special class of objects toward which we react selectively and which we describe in aesthetic terms. The usual class singled out as prime aesthetic objects is that comprising works of art. All other aesthetic objects (landscapes, faces, objets trouvés, and the like) tend to be included in this class only because, and to the extent that, they can be seen as art (or so it is claimed).

Fasolini, Diego (2006). "The Intrusion of Laughter into the Abbey of Umberto Eco's The Name of the Rose: The Christian paradox of Joy Mingling with Sorrow". Romance Notes. 46 (2): 119–129. JSTOR 43801801. John M. Valentine, Beginning Aesthetics: An Introduction to the Philosophy of Art. McGraw-Hill, 2006. ISBN 978-0073537542 George Santayana (1896), The Sense of Beauty. Being the Outlines of Aesthetic Theory. New York, Modern Library, 1955. Giannini AJ (December 1993). "Tangential symbols: using visual symbolization to teach pharmacological principles of drug addiction to international audiences". Journal of Clinical Pharmacology. 33 (12): 1139–1146. doi: 10.1002/j.1552-4604.1993.tb03913.x. PMID 7510314. S2CID 32304779.Handbook of Phenomenological Aesthetics. Edited by Hans Rainer Sepp and Lester Embree. (Series: Contributions To Phenomenology, Vol. 59) Springer, Dordrecht / Heidelberg / London / New York 2010. ISBN 978-9048124701 Guy Sircello has pioneered efforts in analytic philosophy to develop a rigorous theory of aesthetics, focusing on the concepts of beauty, [98] love [99] and sublimity. [100] In contrast to romantic theorists, Sircello argued for the objectivity of beauty and formulated a theory of love on that basis.

Dewey, John. (1932)'Ethics', with James Tufts. In: The Collected Works of John Dewey, 1882–1953 Edited Jo-Ann Boydston: Carbonsdale: Southern Illinois University Press. p. 275. Aesthetics studies natural and artificial sources of experiences and how people form a judgement about those sources of experience. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect our moods and our beliefs. [5] Both aesthetics and the philosophy of art try to find answers to what exactly is art and what makes good art. Datta, R.; Joshi, D.; Li, J.; Wang, J. (2006). "Computer Vision – ECCV 2006". Europ. Conf. on Computer Vision. Lecture Notes in Computer Science. Vol.3953. Springer. pp.288–301. CiteSeerX 10.1.1.81.5178. doi: 10.1007/11744078_23. ISBN 978-3540338369. The word "beauty" is often [ how often?] used as a countable noun to describe a beautiful woman. [83] [84] Danto, Arthur C. (2004). "Kalliphobia in Contemporary Art". Art Journal. 63 (2): 24–35. doi: 10.2307/4134518. JSTOR 4134518.

Aesthetics and the philosophy of art [ edit ] A man enjoying a painting of a landscape. The nature of such experience is studied by aesthetics. Gorodeisky, Keren (2019). "On Liking Aesthetic Value". Philosophy and Phenomenological Research. 102 (2): 261–280. doi: 10.1111/phpr.12641. ISSN 1933-1592. S2CID 204522523. Archived from the original on 8 October 2021 . Retrieved 26 May 2021.