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Like recent scholarship, Jones roots the cause of conflict squarely in the ineffectual kingship of the last Lancastrian ruler.
We, the readers, had to endure just a few lines about random battles, murderous uncles and cooky Plantagenet cousins. In the Hollow Crown the portraits of the leading women are as richly painted as those of the men, and even those who appear only briefly are memorable. On an early spring day in 1592, The Rose – a theatre in the London suburb of Southwark – filled with one of the largest crowds seen that year.By beginning the narrative here rather than an earlier point in history, Jones is implicitly nailing his colours to the mast.
Her descent from an illegitimate line of the House of Lancaster, would give her son, Henry Tudor, his only – and corrupted - claim to English royal blood. It makes for an engrossing read and a thoroughly enjoyable introduction to the Lancastrian-Yorkist struggle.From Nobel Laureates Samuel Beckett and Harold Pinter to theatre greats Tom Stoppard and Alan Bennett to rising stars Polly Stenham and Florian Zeller, Faber Drama presents the very best theatre has to offer. The author of the New York Times bestseller The Plantagenets chronicles the next chapter in British history-the actual historical backdrop for Game of Thrones The fifteenth century saw the longest and bloodiest series of civil wars in British history. Some of the greatest heroes and villains in history were thrown together in these turbulent times-from Joan of Arc and Henry V, whose victory at Agincourt and prudent rule marked the high point of the medieval English monarchy, to Richard III, who stole the throne and murdered his own nephews, the princes in the Tower.