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The Fuji X-M1 comes with a built-in WiFi antenna, the first in X-series line of cameras. While it is great that you can save your pictures to your computer, upload images to your smartphone/tablet, look through the images on the camera or even Geotag your images, there is no way to control the camera through Fuji’s provided camera app. That’s very unfortunate because I expected this feature to be available when I first heard of the WiFi capabilities of the camera. As a result, I did not play much with the WiFi features of this camera or the app. Considering this is the entry-level model, it’s still pretty expensive – other CSCs are available for half the price (a cheaper X-A1 model is widely rumoured but not yet announced as we go to press). However, various features position it closer to mid-range models in other ranges. There’s a hotshoe for an external flashgun, plus integrated Wi-Fi for transfers to iOS and Android devices. The articulated screen, dedicated mode dial and dual command dials also distinguish it from many cheaper rivals. The X-M1's rear LCD screen attempts to redress the balance by offering the ability to tilt it up or down from a high 85° angle to a low 90° angle, perfect for both overhead and low-down shooting. With a resolution of 920K dots, it's twice as detailed as the screen on the X-E1, but sometimes proved to be a little hard to see in the unusually bright British sunlight that we predominantly tested the camera in.
I navzdory celé škále funkcí usnadňujících ovládání alehké konstrukci je fotoaparát X-M1 schopen pořídit přibližně 350 snímků na jedno nabití, takže uživatelé se mohou soustředit na vlastní fotografování anemyslet na zbývající kapacitu akumulátoru. Boosting ISO to 12800 results in more noise and much more aggressive noise reduction by the camera. Noise is apparent in the shadows (although noise reduction makes it look a little “muddy”) and more artifacts are visible throughout the image. Still, ISO 12800 is very usable in my opinion, especially when down-sampled. ISO 25600, on the other hand, looks too muddy and washed for my taste. ISO Performance at low ISOs (ISO 100-800) – RAW Fujifilm is announcing another lens at the same time as the X-M1 and XC 16-50mm F3.5-5.6 OIS: the tiny XF 27mm F2.8 prime. This offers a 40mm-equivalent angle of view, making it a 'perfect' normal lens which will offer a very natural-looking perspective. It's far and away the smallest X-mount lens to date, such that there's no space for an aperture ring (which is why there's no 'R' in the lens name). Firmware updates for the X-Pro and X-E1 will allow these cameras to set the aperture using the rear control dial. While not best-in-class, the Fujifilm X-M1 is still very responsive in most respects. The camera powers up in under a second, though waking it from sleep requires a one-second-long press of the shutter release button. Video output - Digital interface USB 2.0 High-Speed HDMI output HDMI mini connector (Type C) Others Remote release terminal for RR-90 (sold separately)Bottom image: 1) Lens, 2) Sensor, 3) Natural random arrangement of the fine grains of silver halide in film. Smaller, lighter and less expensive than the X-E1, the X-M1 dispenses with any kind of viewfinder, either optical or electronic, and it doesn't accept a hotshoe mounted viewfinder either, making image composition a hold-at-arms length affair. While this is perhaps inevitable given the significant decrease in size and weight, and is in-line with the X-M1's main competitors, it does feel rather strange using a Fujifilm X camera that you can't hold up to your eye, especially when Fujifilm have made such a big play of their innovative viewfinder technologies. The Fuji X-Trans sensor is capable of excellent image quality at ISO levels all the way to ISO 12800. To date, I have not seen a camera that can render such beautiful, noise-free JPEG images – I am simply amazed by how good the JPEG output of the Fuji X-M1 is. Fuji definitely knows how to apply noise reduction on JPEG images. However, the same cannot be said about its RAW files – as you can see from the above crops, the RAW output looks quite disappointing in comparison, with plenty of visible noise at higher ISO levels. Both are very clean, but the boosted ISO 100 looks much more overexposed when compared to ISO 200 for some reason. I would avoid using ISO 100 on the X-M1 for this reason.
The Fujifilm X-M1's maximum shutter speed is 30 seconds in the Time shutter speed mode, and there's a Bulb mode which allows exposures up to 60 minutes long, which is excellent news if you're seriously interested in night photography. The shot below was taken using a shutter speed of 25 seconds at ISO 200. At the heart of the X-M1 sits the same superb X-Trans CMOS sensor used on the X-E1 and X-Pro1 cameras. While traditional sensors with a repeating Bayer-pattern color filter array exhibit moire problems and hence need an anti-aliasing filter to reduce moire by essentially blurring the image, the X-Trans CMOS sensor has a new color filter array that has a more random pattern, which does not cause moire to occur in the first place. Hence, an anti-aliasing filter is not necessary, which in turn translates to sharper, more detailed images. požadovat po nás výmaz těchto osobních údajů - výmaz Správce provede, pokud tento výmaz není vrozporu správními předpisy nebo jeho oprávněnými zájmy, While the Fuji X-M1 does not have a sophisticated meter as the latest generation Nikon and Canon cameras, it actually works surprisingly well in most situations. The camera does have a tendency to overexpose and underexpose in unusual lighting situations, but that happens even with advanced DSLRs, so it is not anything unusual. Gladly, you can easily tweak the exposure by using the unlabeled dial on the top of the camera, which functions like exposure compensation when using the camera in Aperture Priority or Shutter Priority modes. X-M1 + XC16-50mmF3.5-5.6 OIS @ 26.9mm, ISO 200, 1/400, f/8.0
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At ISO 6400 some details get washed away and we are starting to see some artifacts here and there. Still, the performance at ISO 6400 is excellent. Whatever Fuji does with its JPEG processing is very impressive. High ISO Performance “Boost” (ISO 12800-25600) – JPEG
The new X-M1 further expands Fujifilm's X-series of premium digital cameras, which includes the range-topping X-Pro1, X-E1 and the popular X100/S, amongst others. The X-M1 is a more mass-market camera, smaller and lighter than the other models and for-going a viewfinder, but adding a tilting LCD screen and wi-fi connectivity. The X-M1 uses the same 16.3 megapixel X-Trans CMOS sensor found in Fujifilm's other X system cameras. That's good news, since this sensor has drawn praise from DPReview and photographers alike. The app can also use the smartphone’s GPS radio to geotag photos. Rather than keeping a log, the app and camera must be synchronised manually each time you want to update the GPS position. Still, once we figured out what to do, it worked well with our Android phone.The X-M1 delivers the same excellent image quality as its big and more expensive brothers. Noise is noticeable only by its almost complete absence throughout the ISO range of 100-25,600, while the Dynamic Range function helps to boost contrast and detail. The new 16-50mm lens is also worthy of mention, as although it has a cheaper build quality, it still offers sharp results throughout the focal range. The X-M1 is certainly right up there with the best APS-C sensor cameras on the market, and some full-frame models too, so if image quality at an affordable price is paramount, the X-M1 certainly fits the bill. As with the X-M1's X-Trans siblings, photo quality is very good. The included 16-50mm kit lens surprisingly good sharpness at wide-angle and telephoto, with minimal corner blurring and no noticeable vignetting. To really see what the camera can do, attach a prime lens and you'll be blown away by the sharpness and detail it can capture. Exposure is accurate in most cases, with occasional overexposure and clipped highlights (the latter can be reduced by using the DR Correction feature). Fuji cameras are well known for their very vivid colors, and the X-M1 carries on that tradition. One thing we did notice is that areas of high frequency green detail can be a bit smudged, possibly due to the X-Trans color filter. Having gone through a couple of weddings and portrait shoots, a true portrait lens is something I missed. While the 35mm f/1.4 and the 60mm f/2.4 macro are great, I would love to see a fast f/1.2-1.4 prime in the 50mm+ range for portraiture. The good news is, looks like such lens is coming next year (Fujinon 56mm f/1.2), which will fill a big hole for many pros that want to shoot with the Fuji X line professionally. X-M1 + XF14mmF2.8 R @ 14mm, ISO 400, 1/1400, f/4.5 Metering and Exposure When it comes to dynamic range, from what I can tell from the JPEG images, the new X-Trans CMOS sensor seems to deliver good dynamic range in photographs at even high ISO levels. It is no Nikon D800, but you can still recover plenty of details from the shadow areas without adding too much noise. I have been waiting for test results from DxOMark, but they have not released any information on any of the new Fuji mirrorless cameras with the X-Trans sensor, probably due to RAW file support issues. X-M1 + XC16-50mmF3.5-5.6 OIS @ 18.2mm, ISO 200, 1/320, f/8.0
Auto / Custom / Preset (Fine / Shade / Fluorescent light (Daylight) / Fluorescent light (Warm White) / Fluorescent light (Cool White) / Incandescent light) ISO 800 clearly adds more noise to the image (especially in the shadows), as can be seen from the sample crop above. High ISO Performance (ISO 1600-6400) – RAW
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Jméno, příjmení a pohlaví budou zpracovány za účelem přizpůsobení oslovení a výběru obsahu obchodních sdělení. Poskytnutí těchto údajů není povinné. The best thing about the X-M1 is its top-notch photo quality. While the bundled 16-50mm lens produces good results, photos taken on Fuji's prime lenses - some of which cost as much as the camera itself - are truly stunning. Since noise isn't a problem until the highest sensitivities, you can shoot with confidence in low light. The X-M1's movie mode is similar to that of the X-E1, with the ability to record 1080/30p video with stereo sound and continuous autofocus. The dedicated movie recording button makes it easy to start taking a video in any shooting mode. While you don't have full manual control when recording videos, the aperture can be adjusted priority to shooting in 'A' or 'M' mode. Video quality is decent, though don't be surprised if moiré or rolling shutter effects make an appearance. Performance and Photo Quality vyžádat si u nás přístup k těmto údajům a tyto nechat aktualizovat nebo opravit, popřípadě požadovat omezení zpracování, JPEG output on ISO levels 400 and 800 looks as clean as ISO 200. High ISO Performance (ISO 1600-6400) – JPEG
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