Joined in 2023 
82 
63 About this deal
The live area in Snap Studio 1. The control room in Studio 1 is based around a vintage Neve console. Not only is Snap full of rare outboard processors and effects, but it also features a real echo chamber. A pair of Pye limiters and two Decca compressors, which came from a mastering console in Nigeria. Rare outboard at Snap includes a pair of blue Allotrope mic preamps, two Rosser EQs which once belonged to Mayfair Studios, and an LA2A copy which came from Moulin Rouge in Paris. Studio 2 is suitable for editing and overdubbing, and it also hosts an impressive synth collection, including a Yamaha CS80 (left). Snap is home to a number of desirable microphones, including a Neumann U47 that was used for recording Miles Davis by the previous owner.Snap Studios opened in early 2011, and in its short yet extremely busy history, its success shows that he, studio manager Marco Pasquariello and their staff must have made a lot of right decisions. Their work has garnered accolades including a Music Producers Guild Studio Of The Year award in 2013. More Than Meets The Eye The studio is centred around an ultra rare vintage Neve 5316 analogue console from the early 70s, which we modified to have moving fader automation. There’s certainly been a revival for more traditional recording over the past few years, and we fit in perfectly for that. What are your hopes and plans for the studio in the future?
And it’s not just for singing either — these portable booths also work great for voice acting, narration, podcasts or really anything that involves voice (or even acoustic instruments too), and can be taken anywhere you need to record. Here are the best portable recording booths, some of which include panels and other accessories to set up your remote studio. 1. Snap Studio Voice Booth Building a high‑end recording studio has always been an ambitious goal. A studio is a complex organism, and substantial resources are needed to conceive a workspace which can keep up with the most critical and diverse of demands. It does not come as a surprise that many of the sound temples we have been showing in our Studio File series so far hail from a different and long‑gone era, when recording studios were either state owned or built by one of the few major record companies. These classic studios still thrive on their legendary names and their established facilities, but it doesn't happen too often that they are joined by new recording venues on the same scale and level of ambition.For over 10 years now, Snap Studios has welcomed a host of heavyweight artists and musicians through its doors, from the likes of Liam Gallagher, FKA Twigs, Clean Bandit and Coldplay among others. Studio manager and resident engineer Marco Pasquariello has been integral to the studio's success story from the very beginning, having himself constructed a noteworthy body of work featuring Club Kuru, Paloma Faith, Craig David and Bill Fay to name just a few. Marco's diligent nature coupled with an easy-going disposition and impressive knowledge of the craft (and gear) has provided Snap with a solid foundation upon which it's built an enviable reputation as one of the top recording facilities in London. No mean feat. Please let us know if the personal information that we hold about you needs to be corrected or updated. Notwithstanding the other provisions of this Section G, we will retain documents (including electronic documents) containing personal data: We reviewed CAD’s A77 mic here, but even with an excellent mic and talented vocalist, capturing the best possible sound quality depends heavily on what’s around you. If you don’t have a designated vocal-booth type setup at home, or want the option of recording wherever inspiration strikes, the Acousti-Shield AS34 is a practical and portable solution at under six pounds. This is constructed from high quality perforated metal, instantly cutting down on echoes and unwanted room reverb thanks to the 35mm high density micro cell acoustic foam. Attach this to just about any mic stand and you’re good to start recording crisp, clear vocals ready to be mixed in your DAW of choice. Record Crisp Vocals Anywhere — This portable sound booth gives you the luxury of having pristine speech-recording conditions at any time and place. The lightweight frame and diamond-stitched duffel bag makes for easy transportation and heavy-duty protection on the road.
I think plugins have got so ridiculously good these days and there are some fantastic ones out there. I always used to say that my favourite plugin was Pro Tools 7 band EQ, but that’s now been replaced by the FabFilter Pro-Q3. I think it’s probably my most used plugin. It’s just incredible what you can do with it. I find it so musical and dynamic - it’s essential for me these days. Lorem ipsum, or lipsum as it is sometimes known, is dummy text used in laying out print, graphic or web designs. The passage is attributed to an unknown typesetter in the 15th century who is thought to have scrambled parts of Cicero's De Finibus Bonorum et Malorum for use in a type specimen book. Snap Studios, located in Manor House, North London, came about not as the result of a long‑held plan, but out of sheer opportunity — but that doesn't mean that its construction was short of experience, precise planning or meticulous preparation! In fact, Snap was conceived as a proof of concept. We’ve always wanted to provide the best possible service we can, and a huge part of that is the care and attention that we’ve tried to keep in the place. It’s definitely a labour of love! Singers, producers, voiceover artists, record clear vocals in your living room, garage, or bedroom without breaking the bank. Snap Studio = “reverb killer” professional vocals at home or on-the-go! Note: Snap Studio is not a soundproof booth.Information that we collect may be transferred to the following countries which do not have data protection laws equivalent to those in force in the European Economic Area: the United States of America, Russia, Japan, China, and India.
Do you have any tips for managing (and maintaining) the balance between the creative 'vibe' and the more analytical process of mixing/engineering? We will take reasonable technical and organizational precautions to prevent the loss, misuse, or alteration of your personal information. There has already been so many great records that have come out of the studio, and we want that to continue for as long as possible!In an increasingly corporate, money-driven music business, Snap certainly proves that a small, independent venture can succeed by virtue of the skills of those involved and their belief and passion rather than money and marketing muscle, and that’s something we’re really proud of. What about the industry climate? Has this affected you and if so how? Before you disclose to us the personal information of another person, you must obtain that person’s consent to both the disclosure and the processing of that personal information in accordance with this policy Dealing with early reflections is a good start, and will allow you to hear the anomalies in the room easier. Low frequency issues can be improved with speaker mounting and placement, but also not monitoring too loudly will help. There’s a few additional room-correction solutions out these days such as Sonarworks which I think can be superb. Another benefit we’ve experienced with these is keeping your roommates, family and neighbors from being disturbed by noise. Sometimes you need to get loud for the right feeling to come through on the final mix, and with some of the more encapsulating vocal isolation booths, you’ll be able to sing and scream at top volume, while the people next door will barely be bothered. This goes both ways as well, since the inner layer helps to dampen any sounds coming from other parts of the house, like if someone’s watching TV, running air conditioners or just from the natural hum happening in any room. I can then begin to apply processing, sometimes crunching up the drums or bass - often with outboard or sometimes just plugins. If it’s outboard I will print it when I like it, and have it sat under the inactive original in the session. I try to leave fader automation off until I have a good general clean balance of things. This is partly because the non HD version of Pro Tools doesn’t have a trim function (even though there are ways around it). I tend to leave fader moves and mutes off until I know I have my sounds right.
We may disclose your personal information to any of our employees, officers, insurers, professional advisers, agents, suppliers, or subcontractors as reasonably necessary for the purposes set out in this policy. We use ATC SCM25 monitors, alongside NS10’s and Eastlake JM3T’s which are all fed by a Grace Designs monitor controller, which is incredibly transparent and also has excellent headphone amps.
It’s usually quite a straightforward process because I work in Pro Tools on all my rigs, so really it’s just the I/O settings will need to be tweaked for the setup I’m using. If it’s something I’ve recorded at Snap then the main considerations are that the sessions leave the studio in a good shape before I take them to work anywhere else. This involves proper labelling, annotation on takes, comment-box notes for anything that might need attention as well as colour labelling of regions which I might need to refer to. The colours of the regions can be really important when building comps – especially if you’re going through lots of takes of something. I think a lot of the newer producers in that time came to realise that there are some things which can only be done right with good spaces, and the right equipment/environment/skilled engineers to capture those sounds. The rooms feel comfortable to work in, and sound great. We’ve taken a lot of care with the decor and lighting, and the space is really conducive to working creatively and efficiently. What are some of the biggest challenges you have faced in recent years? Whilst it’s nothing overly elaborate, my setup contains a few choice pieces of gear that I know very well. I have built a comfortable space with a Primacoustic acoustic kit, and bought some decent solid speaker stands. It goes without saying but it’s really important to focus on getting your monitoring right before you even consider anything else. That doesn’t mean it has to be perfect, but making the mixing environment as flat as practically possible within budget and space is essential.
Great Deal 
New Comment