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Colored sounding but not in a bad way very decent and the tube is fine. Don't waste money switching it out. The sound is somewhat like a gritty tone that is not real high quality but in no way does it sound bad. It is like the blue tube or the old blue tube presounus tube amp pre amps that you could get for about 150.00. Note: The folks at Sweetwater are Legends with their customer service. One phone call and they took care of everything. Sweet :-) Used for 1.5 years it has chandeliers, I Taté quite then some more expensive model of another brand that are often disappointing. In the range above must know what one is looking ... some preamp sound card is disappointing to the mp tube seems cleaner and does not add a dubious color. It's good for started, I had the chance to connect over good micro (AT33, u87 ...) and I was not disappointed, even when the microphone was "too good" for this pre amp. I use it for more than a year in home studio and on stage. I also use a lot in DI. It is excellent for a ...
I think people who say it does not Pramp do not perhaps have sounded really used properly. Playing between the level and the level of output, we can get some pretty cool results.The Tube MP is the world's most popular external tube microphone preamp. Whether you're working with a digital, computer or analog recording system, the Tube MP's TEC award nominated design will allow you to obtain professional recording studio results at a fraction of the cost of comparable equipment. The hybrid design of the Tube MP allows it to add warmth and fatness to a signal while maintaining exceptionally low-noise and high quality. While its primary application is to be used with a microphone, the Tube MP is an exceptional direct box - impedance matching, amplifying and improving the sound of any instrument plugged into it. Accessory Coverage: Any peripheral devices or accessories that come with your product (i.e. foot pedal, case) are also covered. its own, the lamp does not hear and almost better because in this range made ... (Unless it is fun to saturate). So no coloration of sound in normal use. If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows: Naturally, before trying out the preamp, the first step was to prise off the lid and take a look inside. As expected, the valve (in this case a 12AX7/ECC83 dual triode) is accompanied by a significant amount of solid circuitry, including a dual op‑amp and a handful of transistors, so I suspect that a low noise, solid‑state front end is being fed through a valve buffer stage biased to add a noticeable dose of valve coloration. This is fair enough, as it's not easy getting an all‑valve front end to run very quietly, even when you have a lot more money than this to throw at the design.
Playing around with input gain also is quite interesting, and with a clear VU meter and LEDs to indicate overloading signal paths, you have a clear insight into what simple adjustments can do. If an item can not be repaired, a similar alternative product or cash discount (as defined in this policy) will be offeredThe ART Tube MP Studio V3 is a more sophisticated incarnation of previous, similarly styled ART valve preamps, and it has the same preset OPL (output protection limiter) settings and Variable Valve Voicing tonal enhancements used in ART's DPS II. Hybrid tube/solid-state circuitry is used, the dual-triode 12AX7 tube being run from a relatively low voltage. Mains power comes via an AC adaptor. With very respectable capacitor mics coming right down in price, you can now get a sound at source that rivals that available from top‑end professional equipment. And with the addition of this very affordable tube preamp, you can go one step further and create your own valve mic sound, or plug in a regular DI box and 'tubify' it. Conclusion
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