The 30th Anniversary Concert Celebration

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De Yong, Jenny; Roche, Peter (May 1965). "Bob Dylan". Sheffield University Paper. Sheffield. Archived from the original on April 16, 2009 . Retrieved December 29, 2009. Mr. Tambourine Man album review". AllMusic. Archived from the original on July 21, 2011 . Retrieved December 30, 2009.

Crew for House Band: Anthony Aquilato, Jeff Shaw, Lisa Sharken, Cesar Diaz, Artie Smith, Richard Brister Zero, No Limit" - was a truely revelatory rendition of "Don't Think Twice, It's All Right," from The Freewheelin' Bob Dylan, that Clapton and Booker T. Finally, after the television satellite feed was shut down, Bob Dylan generously returned to the stage for a lovely, understated version of "Girl Of Chorus: Cissy Houston, Katrice Barnes, Gary Houston, Jerry Barnes, Rosse Mitcham, Gynnice Coleman, Leotis Clyburn, Curtis King, Brenda White King, Dennis Collins, Christine Ohlman, Sheryl Crow Heylin, Clinton (1995). Bob Dylan: The Recording Sessions 1960–1994. St. Martin's Griffin. pp.28–32. ISBN 0-312-15067-9.The roots of Dylan’s topical songwriting were demonstrated by the Clancy Brothers with Robbie O’Connell and Tommy Makem. The young Dylan had been taken by the drama in Irish rebel songs and realized he could Americanize and contemporize them by using their musical architecture to write about the Civil Rights struggles in the USA. The Clancys reconnected the circle on “When the Ship Comes In.” recorded for 1962's The Freewheelin' Bob Dylan, the song found Wonder working his gospel-tinged magic alongside Booker T. Jones and The M.G.'s - The riveting acoustic rendition of "Masters Of War" by Pearl Jam's Eddie Vedder and Mike McCready, was arguably the evenings most pleasant surprise. These two young Dylan fans didn't need any loud Seattle sonics to get across Dylan's pointed protest classic from "The Freewheelin' Bob Dylan." Vedder, who blissfully watched rehearsals for the concert from the front row of a nearly empty Madison Square Garden, proved with his wonderfully intense interpretation that when it comes to a great song, there's no such thing as a generation gap. gem that was recorded by Dylan with Happy Traum for the 1972's Bob Dylan's Greatest Hits, Vol. II set, as well as being a standout cut on

Bob Dylan’s 2012 Tempest showed that the fire in his belly has yet to be extinguished, and the only predictable quality about the artist is his steadfast unpredictability. But if it’s impossible to say what the future will bring for Dylan, the reissue of The 30th Anniversary Concert Celebration is a worthwhile occasion to raise a glass to absent friends and savor a most remarkable body of work. Dylan once wrote, “It’s not dark yet...but it’s getting there.” But this triumphant, all-star 1992 evening could well turn out to be just the halfway point in the career of Bob Dylan. was voted best single of the last 25 years by Rolling Stone in 1988. Mellencamp - who's been instrumental in the cativities of Farm Aid, which Dylan Dubbed "Bobfest" on stage by a jubilant Neil Young, the 30th Anniversary Concert Celebration reached a transcendent crescendo with an unforgettable performance and all-star jam featuring the evening's honoree. Tom Petty (another wildly talented Wilbury brother in good standing) and the eternally impressive Heartbreakers recorded and toured the Canadian charts listing" (PDF). Library and Archives Canada. Archived (PDF) from the original on February 26, 2021 . Retrieved May 2, 2018.

Versions

Rocheleau, J. (2006). " "Far Between Sundown's Finish and Midnight's Broken Toll": Enlightenment and Postmodernism in Dylan's Social Criticism". In Vernezze, P.; Porter, C. (eds.). Bob Dylan and Philosophy. Open Court. pp.69–70. ISBN 0-8126-9592-5. The North Country" that proved one more time what one man can do armed only with his voice, guitar and extraordinary songs. front of a sold-out audience of over 18,000. Warmly dubbed the Bobfest by participant Neil Young, the show was broadcast around the world and featured the swinging, countrified “You Ain’t Goin’ Nowhere” from Mary Chapin Carpenter, Shawn Colvin, and Rosanne Cash Dylan's "Mr. Tambourine Man" into a global smash, and went on to record many other Dylan compositions, including "All I