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Response is excellent other than the dip around 1.6 kHz. I really like to see manufacturers do better in this region as it is so important to perception of fidelity in my opinion. Fortunately the dip is narrow. Here is the near-field measurements: Process and analyze the NFS data yourself, including the Preference Score, Correct Spinorama, Directivity 2D and 3D live etc. : The usual hiss was there by the way and did not go away until about 2 feet when nothing was playing. Regarding beginner-friendly studio monitors, the LP-6 V2 from Kali Audio is another firm favorite. It also comes in at a cheaper price point than the 306P MkII. The next-generation JBL 305P MkII powered studio monitor makes legendary JBL performance available to every studio. With the revolutionary JBL Image Control Waveguide and refined transducers, JBL 305P MkII offers stunning detail, precise imaging, a wide sweet spot and impressive dynamic range that enhances the critical listening capabilities of any modern workspace. Featuring patented technologies derived from the JBL 7 Series and M2 Master Reference Monitors and, sporting a sleek, modern design, JBL 305P MkII delivers outstanding performance and an enjoyable mix experience at an accessible price.
306P MkII | JBL Professional Loudspeakers | English
Below is the actual measured in-room response (with no DSP correction). This is a spatial average taken over approximately 1 cubic foot. The speakers were placed approximately 1.2m from the front wall (not the cabinets; but the actual wall). The listening position was primarily at 1.5m but for this test I measured the response at two different distances from the speakers. These JBLs are a low power system anyway so it probably doesn't matter so much, but when you test higher power (rated) speakers at much higher SPLs, the term should be considerably extended to determine the effects of temperature related compression in a more useful (and related to typical used-case) manner. The JBL 306P MkII are an exceptional pair of studio monitors, absolutely worth buying for content creators who want a more serious window into their audio at an affordable price. Is there a better alternative? This particular model includes a magnetically shielded, 6.5-inch mid/low-frequency transducer with a 1.5-inch voice coil, and a self-repairing dust dome that smooths out any accidental dents all by itself. (I gave it a gentle prod to test that claim and all seems well!) By reducing thermal-related effects such as power compression, the monitors are able to perform consistently over the full range of listening levels. A continuous rated SPL of 98dB is quoted along with peak SPL handling of 110dB at one metre (pink noise, C–weighted). Services Guitar Workshop Electronic Repairs Workshop Music Store Events & Workshops Piano Showroom Music Lessons Recording Studio
The 305 and 306 somewhat ended my hi-fi buying hobby. I'll be the first to admit the woofer and tweeter are nothing special. Cheap, even. But as Amir alluded to, thanks to their excellent controlled dispersion they have a wonderful ability to sound "right" in the less-than-ideal listening rooms many (most?) of us are working with. In practical usage, this trumps a number of other flaws one might see on the graphs. I have heard objectively better speakers, and more subjectively enjoyable ones, but they have more quirks and cost multiples of the JBLs. If you already like what you see with the 306P MkII but want a little extra grunt, the larger 308P MkII is worth considering. A capable and powerful 8-inch studio monitor.
JBL 306P MkII Review [2023] - Superb Beginner Monitors JBL 306P MkII Review [2023] - Superb Beginner Monitors
The reference plane in this test is at the tweeter. XLR input. Volume max. -10dBv. The ports were open (not stuffed). Flexible connectivity with balanced XLR and 1/4" TRS inputs, +4dBu / -10dBV input-sensitivity switch and adjustable volume control The JBL 306P MK II once again shows what happens when you follow the science of proper sound reproduction even with strict budget. You simply get great sound. Even in hostile situation of just being thrown on my desk. Point them at your ear, plug them in and you are in business. OK, you should apply that little EQ correction but that is it. Measurements are compliant with latest speaker research into what can predict the speaker preference and is standardized in CEA/CTA-2034 ANSI specifications. Likewise listening tests are performed per research that shows mono listening is much more revealing of differences between speakers than stereo or multichannel. Scan-Speak does 28 minutes total of 1 minute on, 2 minutes off. Weighted pink noise with a crest factor of 2dB (my CF is 12dB). Link.Yes. If you’re looking for a set of affordable studio monitors to help you make the most of your projects, we can’t recommend anything more highly. These are easily the best we’ve tested at their price point and are just what you need to take your work to the next level. It isn’t a huge deal as the surface is easy to clean but if you tend to move your monitors around a lot or are rough with them, expect them to look worse for wear sooner rather than later.
JBL 306P MkII - MusicTech Review: JBL 306P MkII - MusicTech
I understand the concern. However, you could ask ten different people how long they think the test should be run and you'd probably get ten different answers. However, I based my method off a few things: The low-noise front-facing port will appeal to people that want to place their monitors closer to a rear wall. If you want to maximize your budget, the PreSonus Eris Studio 5 is worth exploring. While it might be lower in price, it still offers excellent performance. The 305 and 306 somewhat ended my hi-fi buying hobby. I'll be the first to admit the woofer and tweeter are nothing special. Cheap, even. But as Amir alluded to, thanks to their excellent controlled dispersion they have a wonderful ability to sound "right" in the less-than-ideal listening rooms many (most?) of us are working with.The JBL 306P MkII also features excellent shielding to prevent interference from external devices. A must-have for the modern studio, which is often filled to the brim with gizmos and gadgets. We see more of distortion between 1 and 2 kHz in the larger 308P than in 306P. The larger woofer seems unhappier in the higher range than the smaller one in 306P. Or there are sample variations. A major test of the 306P’s performance is to hear how well they integrate with our own monitoring system, comprising ATC SCM100A main and SCM25A midfield monitors, along with Yamaha NS10M nearfields. The JBLs perform superbly in this context, sounding naturally balanced, free from hype and insightful. In terms of scale, they sound far bigger than our NS10s and, with their widescreen soundstaging, on a par with the larger SCM 25As. With that in mind, I would easily recommend the 306Ps as the sole monitoring system in modestly sized project studios. Conclusion Based on my results above, it is obvious the output is limited significantly somewhere above the 96dB @ 1m output level. I haven’t confirmed with JBL if this is a built-in limiter, though, I assume it is.
JBL 306P MkII Review | Digital Trends JBL 306P MkII Review | Digital Trends
The frequency response and accuracy are excellent, with an exceptional level of detail and precision that will allow you to make accurate mixing decisions. There is a noticeable dip at 1.6 kHz, impacting neutrality, but it is relatively easy to tame with some EQing. Once dialed in, you’ll be hard-pressed to find a comparably neutral monitor at this price. Engineered to JBL Linear Spatial Reference design criteria for outstanding accuracy in any working space The below graphics indicate how much SPL is lost or gained in the long-term as a speaker plays at the same output level for 2 minutes, in intervals. Each graphic represents a different SPL: 86dB and 96dB both at 1 meter.
I understand these are really the “darlings” of the budget monitor scene. For the price, you do get a lot of good performance. However, I think it is important to highlight these concerns as they will ultimately affect a person’s final mix. For example, they may try to EQ out the midbass resonances I noted or the 1-2kHz issues or the HF shelf. If these attempts toward correcting the sound were made then the end user - who may have a much better system without these issues - would get bass that doesn’t sound right, or a 1-2kHz region that doesn’t right. I am providing this information so those who are shopping and/or use this speaker are aware of some of the things that were readily apparent to me with a variety of music genres. The other notable issue is the distortion present at higher volume levels. This is a monitor that doesn’t like to be pushed hard. Once you creep up beyond 85dB, you can hear the monitor struggle, especially with lower frequencies. is right in the middle of the female vocal range so it is not like the deep bass region where we want enough power to shake the foundations of the house. It’s also immediately clear that the Image Control Waveguide is playing an important part in the room-filling sound, as the stereo image remains coherent without being focused into a tight, central sweet spot. The Waveguide also does a superb job, ensuring fine integration between the mid/bass and high-frequency drivers, as moving my head vertically up and down a single monitor’s front baffle reveals no phase-related issues. Big sound, small speaker
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