A Wizard's Guide To Defensive Baking

Product Information

One morning, Mona finds a dead body in the bakery and from that point on, her life is completely turned upside down. is almost here, time for one more book from 2020! This week we’ll take a look at T. Kingfisher’s A Wizard’s Guide to Defensive Baking.

It's a decent Kingfisher, which means the characterization feels solid. There's a few standard characters rolled in (pushy, loving aunt, a thief) as well as some intriguing ones (the uncle, the horse witch). It's ethics and world-building are probably geared a little simply compared to some of her other works, which may be why it feels a little younger. Still, it's a Kingfisher, and the writing is occasionally quite perfect. Nothing But Readi...: A Wizard's Guide to Defensive Baking by T Kingfisher - Feb 2022 Theme BOM - Award Winner (start 16 Feb) Mona’s wry and often disgusted commentary on what’s happening around her and just how far the situation has been left to go awry reads like both Sixteen Ways and the Discworld. Mona sees that things are going wrong, and comments about it to herself. A lot. There may be a certain amount of gallows in her humor, but then the situation does require it. Book Genre: Childrens, Fantasy, Fiction, Humor, Magic, Middle Grade, Mystery, Science Fiction Fantasy, Young Adult, Young Adult Fantasy A Wizard’s Guide to Defensive Baking reminds me of three really different things; Terry Pratchett’s Discworld, Harry Potter, and Sixteen Ways to Defend a Walled City by K.J. Parker. And those three things really shouldn’t go together. But they do here.Where Harry Potter comes in, of course, is that Mona is just 14 and she’s expected to save the city. Which is ridiculous and insane and she’s very aware of the fact that there are lots of adults who weren’t adulting very well at all. It’s up to her and it just plain shouldn’t be. But it still is. Because even if she CAN manage to get better adults it’s not going to happen in time to save the city. So it’s all up to her, no matter how much she downright KNOWS that she is in over her head. A dead body is an awful thing to find on the floor of a bakery, especially when you’re a fourteen-year-old baker’s assistant with just a minor talent in magic, enough to make gingerbread men dance and biscuit dough turn fluffy on command. It’s worse when the city inquisitor decides to accuse you of the murder, for no particularly good reason. It’s even worse when you realize that there’s a mysterious assassin on the loose, targeting people who have magical powers, no matter how insignificant.

Oh, and, for the record, I don't actually hate YA as a whole that much. (Okay, it may say so on my profile but it just a cunning scheme to deceive my enemies and stuff.) What I do hate quite very much indeed—and with a murderous vengeance—is crap stuff like this, crap stuff like this and crap stuff like this. You’re welcome. For me, this was 4.5 stars, almost 5, and I can very much recommend it, especially as a winter holiday read: there's lots of yummy baking going on and despite of its dark themes, it always manages to maintain a warm and lighthearted tone.

The second challenge--perhaps like much in baking--was one of scale. Had Kingfisher been content to keep it a smaller story like in Minor Mage, it would have worked better for me. But I found myself puzzled, supremely, by dual ideas (spoilery) of a large enough city that children can escape multiple guards on a canal and through smugglers' pathways, but that same young baker can make seven golems and twenty gingerbread men can hold off an advancing army in a way that a populace can't. Like, how effing incompetent is this city and the advancing army? The great wizards, the magi that serve the Duchess, they can throw fireballs around or rip mountains out of the earth, heal the dying, turn lead into gold. Me, I can turn flour and yeast into tasty bread, on a good day. And occasionally make carnivorous sourdough starters.” But I did love that at fourteen, Mona is still basically a kid, with young (and snarky) voice and zero contamination with romance that seems to plague so many books aimed at the youngsters. We have our kids grow up too fast in stories, and although Mona does a fair bit of this given the responsibilities thrust upon her, I love that in the end she’s still a kid at heart.

Suffice to say that it was utterly charming, perfectly plotted, and ageless -- I think anyone from 9 through adulthood could enjoy this. I’ve seen other reviewers complain that Mona is too passive and quiet, but I found her to be very resourceful, and I greatly enjoyed her voice and outlook. I make it no secret, I’m a big fan of T. Kingfisher, another name for Ursula Vernon. It’s true that I’ve been more familiar with her adult horror thus far, but it appears I’m gradually developing a taste for her Young Adult/Middle Grade fantasy as well. There’s something about her style that reminds me very much of the work of Francis Hardinge, another children’s author I regard highly for her imaginative world-building, lovable protagonists, and yes, stories with maybe just a hint of darkness. It all starts when Mona discovers a dead body in their bakery. Mona is a wizard that works with bread. Yep, bread. That's it - just bread. And although this is considered minor magic, she still gets accused of the murder solely because she is a wizard. It doesn't take long before she learns there is a growing threat that magicas like her are facing in the city-state and while most magical individuals leave (or are killed), Mona soon finds herself in the unenviable position of having to stand-up and fight against the enemy. The obvious is the whole 14-year-old saves the city thing that makes it YA. Mona is young. She’s still, to some extent, figuring out what she wants to be when she grows up, although her magic has driven her further down that path than most. But she’s also at an age where she’s unsure of herself and her future in so many different ways. She sees herself as young, and small, and weak. She sees her magic as not powerful at all or even all that useful. It’s handy in her aunt’s bakery, where she works, but it’s not otherwise big or showy. And neither, honestly, is she.

When you’re different, even just a little different, even in a way that people can’t see, you like to know that people in power won’t judge you for it.” But it never sugarcoats the fact that the situation is beyond dire – and that war is very definitely hell. And that sometimes all it takes is just one horse rider of the apocalypse to bring that fact home. Someone is killing magic folk, and suddenly it's up to Mona to figure out who's doing it, AND why . . .before she turns out to be the next victim. She just needs to keep in mind that in magic, creativity is as important as knowledge.