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If you do nothing, you will be auto-enrolled in our premium digital monthly subscription plan and retain complete access for 65 € per month. The descriptions of the land,weather and farming tasks were vivid and well written.I had to skip over the many passages describing the inevitable sad endings for many of Jones's evocation of childhood is spot-on- its fierce passions, disaffections, loyalties and suffering' Financial Times Not much seemed to happen but there was a feeling that something would. The friendship between Amy & Lan is poignant, but doomed. I did like the parts where Lan finds joy in small things, and when he explained that the past and present are real but not the future. Sometimes hard to work out which of the children was narrating the story, which couples were together and who their children were.
No one conjures the magic of place like Sadie Jones ... A beautiful, haunting novel about the limits of love and the loss of innocence' Clare Clark The main characters were stereo typed with a token Asian woman and young man with mental health issues. Visitors from the city were uniformly ignorant, condescending and shallow.I did not engage with any of the people described in the book and found it hard to picture them except in very general terms. Adam, in my opinion,was the only one who was not one dimensional. It was not credible that the supposedly feisty Harriet would allow her husband and best friend to conduct an affair for five years without taking any action. The references to popular music helped to set the era and mood, it is easy to identify with particular songs evoking memories.
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It took me sometime to get into the flow of reading this book, perhaps the build-up of the story line was a bit slow for me! But the last third of it, the move/ the parting was quite gripping and made me emotional.
Initially I found it quite difficult to follow and without any direction, one chapter being written as ‘Lan’ , the next as ‘Amy’, which made it a bit more difficult to follow which parents/family belonged to which child, but it’s worth persevering with. It is narrated by two of the children, Amy and Lan, who are both aged seven. This device did not work for me as their voices and perceptions were largely indistinguishable so it served no purpose. For cost savings, you can change your plan at any time online in the “Settings & Account” section. If you’d like to retain your premium access and save 20%, you can opt to pay annually at the end of the trial. You may also opt to downgrade to Standard Digital, a robust journalistic offering that fulfils many user’s needs. Compare Standard and Premium Digital here.
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Amy Connell and Lan Honey are having the best childhood, growing up on a West Country farm - three families, a couple of lodgers, goats, dogs and an orphaned calf called Gabriella Christmas. It is a bitter-sweet read. They experience life in a thrilling vivid way that only children can. You would wish it would remain in their hearts forever. But by 2010 they too are beginning to grow up. You feel it will be but a faint memory for them both. A gently episodic and humorous tale whose sharp-eyed, effervescent child narrators entertain... Beguilingly readable' Daily Mail
I loved exploring childhood with Amy and Lan; finding out what interested them. Lan’s list of the best things ever was super- they were all things we would agree with, but forget in the hustle and bustle of adult life, like ‘rain on lettuces because they look like glass’ and ‘watching caterpillars chew.’ When they decided to spit toothpaste water on Em, it really made me laugh. As a child, it would be one of those thoughts that you couldn’t get out of your head once thought and so tempting. Lan says the there isn’t any ending to the story of Frith because it’s the story of how they came to Frith- ‘ and we’re never ever ever leaving’- a child’s belief that things will always be the same. Sadie Jones has really captured the mind of the child, free of preoccupations with money and jobs and focussing on relationships.I am not sure that Amy and Lan have distinctive voices, but perhaps they just wouldn’t. Nor is there an obvious development in their world view until they move to secondary school – but again maybe there wouldn’t be. It is not to be read as a comment on the viability of communal living – there being at least as much good as bad in Frith. Good and bad in all things and everyone.
It is through their eyes that we learn about life on the commune. Not just the daily tasks but the personal tensions. Amy and Lan occupy a privileged zone: those younger than them are the “little kids”, their elders “the grown-ups”. They observe both, often literally from a perch high on the barn roof. They are not naïve and do notice things. They do not look through a glass darkly but make astute and shared assessments of their parents and other adults. Some of the recollections highlighted how wild and dangerous childhood can be, especially without the supervision of adults. Gifted by Vintage and the Reading Agency* Amy and Lan is both an amusing and tragic presentation of rural life in the mid-late 2000s. Its two principal characters, Amy and Lan, provide a strong narrative voice for the plot. The story of Frith and the families that reside is told through the childish eyes of its two leads; trying to comprehend and navigate the complex dramas of the adults on the farm. The adults are far too busy to keep an eye on Amy and Lan, and Amy and Lan would never tell them about climbing on the high barn roof, or what happened with the axe that time, any more than their parents would tell them the things they get up to - adult things, like betrayal - that threaten to bring the whole fragile idyll tumbling down...
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Amy and Lan live on a communal farm in Herefordshire, their parents having taken a leap in the dark just before they were born. They came into the world and Frith, the farm, just days apart. So, they are kind of twins, but not brother and sister. The story is told by them alternately from 2005 when they turn 7 to the cusp of adolescence. So not [quite]a coming-of-age. The chapters alternate between Lan’s voice and Amy’s. It takes a bit of getting used to. Working out who belongs to each child and who the others were took me a long time. They are definitely childish voices, with childish interests. We get clues to what are the issues with the adults through their childish observations, which they patently do not understand. Lan says that Amy never thinks that her mum ’might just go off one day’, which is a hint at what his mum has already done and so might do again. He catches his mum and Amy’s Dad kissing and ‘it wasn’t a love kiss because they aren’t married’. He dismisses it because he does not understand. Change the plan you will roll onto at any time during your trial by visiting the “Settings & Account” section. What happens at the end of my trial? I loved Amy and Lan... I've long been a Sadie Jones fan but this may be her best yet . Poignant , compelling and brilliant ' Mary Lawson, author of A Town Called Solace How did the Simple Life get so complicated? A child's-eye view of family and rural life in the compelling new novel from Sadie Jones.
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