An Atlas of Es Devlin

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Come Home Again,” her 16-meter-high monumental choral sculpture outside Tate Modern, drew over 7,000 visitors each day to join diverse London choirs and species in choral song during its showing in September 2022. Her rotating illuminated sculpture, “Your Voices,” entangled viewers within the 700 languages spoken in New York City in collaboration with the Endangered Language Alliance in December 2022. An Atlas of Es Devlin” will examine the origins, rigor and depth of Devlin’s process through a compelling journey into her 30-year archive, charting the evolution of form, scale and intention in her practice, from teenage drawings and paintings, to designs for theater, opera, stadium concerts and ceremonies, to her current engagement with climate and civilizational crises. The exhibition will reveal thematic connections and trace the development of her groundbreaking ephemeral architectures. Reflecting on a three-decade career with a client list that reads like the guestlist of the Grammys, even Es Devlin can’t resist the urge to flirt with what could have been. Having studied English Literature and Fine Art at Bristol University and London’s Central Saint Martins, respectively, Devlin admits that her hunger for visual ingenuity and flair for the poetic almost led her into the headline-grabbing world of 1990s contemporary art. Remembering the way she looked up to the divisive YBA movement of the era, she recognises how close she came to making steps in their direction. “I had a job on a little opera project that Damien Hirst was doing in Scotland that was sort of entering into that little world, but I didn’t go that way because, at the time, I guess I felt uncomfortable with the commodification of art,” she says today. The publication of An Atlas of Es Devlin coincides with the artist’s 30-year archive exhibition at Cooper Hewitt, Smithsonian Design Museum in New York, and her recent project credits include Beyoncé’s Renaissance tour – which has become the highest-grossing tour by a female artist in history. She also designed the visuals for U2’s opening performance at the groundbreaking MSG Sphere Las Vegas. Her sculptures have been displayed at the Serpentine, V&A, Barbican and Tate Modern, and her professional accolades include Olivier, Tony and Emmy awards, as well as an Ivor Novello and a CBE. Devlin’s protean work is rooted in a lifelong practice of reading and drawing, especially sketching in the margins of texts. The final gallery is filled with the texts that have guided Devlin’s work—from the plays, song lyrics and opera libretti that have informed her performance sculptures to the works of fiction, poetry, geo-philosophy, anthropological economics, biology and climate science at the root of her art practice over the past decade. The texts are brought to life with a program of collective readings, and visitors are invited to participate in a cumulative artwork while gaining insights to inform their own practice and purpose. Publication

Artist and polymath Es Devlin’s genre-defying practice encompasses art, activism, theatre, poetry, music, dance, opera and sculpture. This vinyl LP captures 20 of her iconic works’ soundscapes, with music produced by long-time collaborators Polyphonia, uniquely mixed with her voiceovers, including personal stories and poetry.

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Reflecting on the political atmosphere of her formative years, and the emergence of her definitive sense of belonging, she adds, “The more economics books I read, the more I realise how much economic choices have governed our cultural experience and our climate experience. A lot of them were seeded in that 1980s period, and in that intention there’s no such thing as society, only the individual. I think something in me already knew that that was false, and I think being in rooms of collectives felt like some kind of antidote to that. Whereas being in a room on my own and celebrating my individuality wasn’t what I wanted to do at the time.” Cooper Hewitt continues to push the boundaries and contribute to a more expansive definition of what design means today and how it relates to the complex world around us,” said Maria Nicanor, director of Cooper Hewitt. “Es’ work and her multidisciplinary practice embody that profound intention, which is so important to communicate to our audiences as the nation’s design museum.” The Studio Becomes a Show The soundscapes created by Polyphonia aka composers Jade Pybus and Andy Theakstone include music from Es Devlin’s hugely popular immersive artworks A Forest of Us (2021) at Superblue, Miami, BLUESKYWHITE (2021) at 180 Studios, London, and several new works that will be shown in her new exhibition at Cooper Hewitt, Smithsonian Museum of Design, New York (2023). Devlin creates large-scale sculptural installations that combine light, music and language. Her work is rooted in a lifelong practice of reading and drawing, from the plays, song lyrics and opera libretti that have informed her performance sculptures, to the works of fiction, poetry, geo-philosophy, anthropological economics, biology and climate science that have formed the foundation of her art and activism over the past decade. She views an audience as a temporary society and encourages profound cognitive shifts by inviting public participation in communal choral works. Her temporary participatory sculptures have been displayed at Tate Modern, Serpentine, V&A, Barbican, Imperial War Museum and Trafalgar Square.

The exhibition was curated by Andrea Lipps, Associate Curator of Contemporary Design and Head, Digital Curatorial Department, and by Julie Pastor, Curatorial Assistant. Devlin’s work is at once deeply personal and inherently collective. Over the past decade her art practice has engaged with biodiversity, linguistic diversity, and collective AI-generated poetry. She views the audience as a temporary society and encourages profound cognitive shifts by inviting public participation in communal choral works. An Atlas of Es Devlin , the first monograph on Devlin’s genre-defying practice, is an experiential publication encompassing art, activism, theater, poetry, music, dance, opera, and sculpture.Opening up the mesmerising set of Free Your Mind for exploration , the installation is free to attend and open to all.

An Atlas of Es Devlin” is organized by Andrea Lipps, associate curator of contemporary design and head, Digital Collecting, and Julie Pastor, curatorial assistant. Made in collaboration with contemporary composers, Polyphonia, and video designer, Luke Halls, An Atlas of Es Devlin brings together poetry and prose that's inspired Devlin’s personal art practice since 2016 – and presents them as an illuminated ‘collective reading’ experience. Cooper Hewitt, Smithsonian Design Museum will present “An Atlas of Es Devlin” from Nov. 18 through Aug. 11, 2024. The genre-defying British contemporary artist and designer Es Devlin (b. 1971) is globally renowned for her large-scale, illuminated installations and sculptures for performances. Her wide-ranging practice, which began in small-scale theater, has been experienced by millions in some of the world’s most prominent museums, galleries, opera houses, arena and stadia. Her highly collaborative work is at once deeply personal and inherently collective. Devlin views the audience as a temporary society and invites public participation in communal works to encourage profound cognitive shifts. The exhibition's been made in parallel with Devlin's first monographic book as well as her first record – presented as a limited-edition vinyl LP by The Vinyl Factory.Es Devlin’s polymathic practice dissolves boundaries between art, activism, design, poetry, sculpture, music and architecture,” said Andrea Lipps, associate curator of contemporary design and head of Digital Collecting at Cooper Hewitt. “Within an environment conceived by Devlin herself, this exhibition will immerse visitors in the artist’s studio and archive. Centering archival artifacts, the exhibition will reveal the remarkable breadth, rigor and iterative process underlying Devlin’s transformative, multidisciplinary work.” Generous support is provided by Amita and Purnendu Chatterjee, Lisa Roberts and David Seltzer, Kimberly Schuessler, and Morgan M. Schuessler, Jr.