Billy Liar (Penguin Decades)

Product Information

The cross media adaptations did start not or end there though, Keith Waterhouse originally adapted it in to a stageplay which starred a young Albert Finney (who turned down the lead in David Lean's Lawrence of Arabia to play Billy!), his success in the movie adaptation of Saturday Night and Sunday Morning helping to making Billy Liar an overnight hit in the West End. I don't have the foggiest idea of where to get a copy of this, but I am anxious to do so , frankly due to its connection to The Smiths. I thought I was the only one who did this. The interior secondary monologue for my own amusement, since when I manage to say out loud what I think is great fun and such an amazing observation--it turns out I am as alone as the little prince on his lonely planet. If you're in any more trouble, Billy, it's not something you can leave behind you, you know. You put it in your suitcase, and you take it with you."

Billy Liar (Penguin Essentials) by Keith Waterhouse | Goodreads Billy Liar (Penguin Essentials) by Keith Waterhouse | Goodreads

He fought long crusades to highlight what he perceived to be a decline in the standards of modern English; for example, he founded the Association for the Abolition of the Aberrant Apostrophe, whose members attempt to stem the tide of such solecisms as "potatoe's" and "pound's of apple's and orange's" in greengrocers' shops. [7] [8] He manages to sabotage his engagement to Barbara (aka "The Witch") by borrowing her engagement ring, supposedly to take it to the jeweller's "to be adjusted", and giving it to his other girlfriend Rita! Oh, and then there's Liz as well... And there is enough of a cliffhanger to keep you wanting to know: will Billy go to London (and leave his troubles and his two-and-a-half fiancees behind) or will he stay to face the music? In 1999, the British Film Institute named Billy Liar number 76 in its list of the top 100 British films.This marvellous little novel covers a momentous Saturday in the life of nineteen-year-old Billy Fisher in a small town in Yorkshire. It’s 1959, and Billy’s lower-middleclass family wallows in the unchallenging comforts and conformity of dull, mediocre Stradhoughton. Everything is routine and predictable, which to the intelligent and creative Billy is unbearable, and he constantly retreats from the tedium into his inner fantasy world – Ambrosia – where he is a hero in the tradition of Thurber’s Walter Mitty. When I first saw the film in 1961 I was also intrigued by the glimpse it offered of a strange new world - the North of England! In 2007, Empire praised Tom Courtenay for the main role stating: "Skulking between temerity and timidity, callousness and innocence, Tom Courtenay dominates the picture, whether defrauding his employers or duping his trio of girlfriends. But the most memorable moment remains the sight of Julie Christie on the train to London, watching Courtenay shrugging on the platform and settling for the mediocrity he despises and probably deserves." [8]

Fifty years on, Billy Liar has not grown old | Fiction | The

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. A funny and poignant look at a young dreamer in a provincial Yorkshire town at the beginning of the huge social upheaval that was the 1960s.The semi-comical story is about William Fisher, a working-class 19-year-old living with his parents in the fictional town of Stradhoughton in Yorkshire. Bored by his job as a lowly clerk for an undertaker, Billy spends his time indulging in fantasies and dreams of life in the big city as a comedy writer. It has been suggested that a local newspaper columnist parodied in both the book and the film bears a remarkable resemblance to the late-life Keith Waterhouse himself, when he was ensconced at the Daily Mail. [3]

Billy Liar review – teenage dreamer is as witty as ever in a Billy Liar review – teenage dreamer is as witty as ever in a

Later whilst scouring the film catalogue at film school I discovered the classic 1963 film directed by John Schlesinger and starring Tom Courtenay as Billy Fisher. A film which took the grim up north stereotypes that had become the norm in British New Wave cinema and turned them on their head with comedy and the careful use of surrealism. But you can’t hate him, because running through Billy is a streak of melancholia as wide as the River Thames. He knows he’s trapped in this small stifling town where nobody is on his wavelength. Not that you’d especially want to be on his wavelength. But still, we know that feeling. So underneath the mostly unfunny comedy is a sad familiar tale plus a whole ton of accurate detail about English provincial life in 1959, after Elvis but before the Beatles, and before the contraceptive pill too.

Select a format:

Billy Liar is a short book. Joyce’s Ulysses is longer. But they both inhabit similar territory in that they follow a principal character through one day’s eventless events. Viewed in this light, Billy Liar becomes potentially much more than a comic romp through northern English quaintness. October, 1962: The film opens with soldiers marching in a parade led by a brass band. The parade passes in front of Leeds Town Hall. A few tanks bring up the end of the parade, and actors dressed as dignitaries are standing on the steps of Town Hall watching the procession pass by. Various crew and film equipment can be seen, and director John Schlesinger uses a blow horn to give instructions to the surrounding extras. He also instructs the actors on the steps of the City Hall. Further crewmembers set up a camera on a tripod outside the Town Hall to capture the scene from a different angle. Is it impossible for Billy to tell the truth, or is he merely a highly intelligent and imaginative youth, trapped in a conventional, working-class, North-of-England, why-you-reading-all-them-bloody-books-you-think-you’re-better-than-your-old-man type of upbringing? Billy Fisher, the central character, is an intelligent, creative, educated, lower middle class 19 year old who is frustrated by his surroundings and dull clerical job at a local undertakers. His response is to retreat into Ambrosia, his private fantasy world, where he is a hero. He also responds by lying, indeed he's a pathological liar. His ludicrous deceptions result in some very amusing situations, but also in the melancholy that lies at the heart of the book. Billy dreams of moving to London, to work as a comic scriptwriter, and he has received some encouragement from an established comedian. As he works out how to make his move, his past catches up with him: multiple girlfriends, exasperated parents, his Gran, tiresome colleagues and some quite serious work misdemeanours.

Betty Blue Eyes - The Gladstone Theatre

In 1960, the novel's author, Keith Waterhouse, co-wrote a three-act stage version with Willis Hall. The action took place on a single set combining the living-room, hallway, and porch of the Fisher household. The first production opened in the West End of London with Albert Finney in the title role. It has since been produced all over the world, and has become a favourite with amateur groups. The play was adapted for the Irish stage as Liam Liar by Hugh Leonard in 1976. [2] His 1959 book Billy Liar was subsequently filmed by John Schlesinger with Tom Courtenay as Billy. It was nominated in six categories of the 1964 BAFTA awards, including Best Screenplay, and was nominated for the Golden Lion at the Venice Film Festival in 1963; in the early 1970s the sitcom Billy Liar based on the character was quite popular and ran to 25 episodes. Some have described Billy Liar as a coming-of-age novel. This is true in the sense that Billy certainly falls within the age group transitioning from teenage innocence to adult responsibility. However, it’s no Bildungsroman , which Wikipedia defines as “a literary genre that focuses on the psychological and moral growth of the protagonist from youth to adulthood (coming of age), in which character change is important.” In February 2004, he was voted Britain's most admired contemporary columnist by the British Journalism Review.Waterhouse continued to collaborate with Willis Hall over the next twenty-five years, writing numerous plays and television scripts, and also wrote plays on his own, including Jeffrey Bernard is Unwell, a major success when it opened in 1989 with Peter O’Toole in the starring role.