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Canon Sure Shot 60 Zoom DATE SAF 35mm Film Camera w/Canon Zoom Lens 38-60mm 1:4.5-6.7 Camera (Grey/Black Color)

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Direct zoom viewfinder. 0.36x – 0.72x magnification and 84% coverage. Within the image area are the AF frame, image-area frame, panorama frame, and close-up frame. Outside the image area is the green OK-to-Shoot LED. point Smart Autofocus. Prefocus enabled. Close-up warning provided. Center focusing point set for close-ups. 0.6 m – infinity. The Canon Sureshot line of film cameras was in production for 26 years and featured over 50 different models. They’re one of the most common types of point and shoot film camera that you’re likely to come across. My one word of advice is get ready for the flash to go off. You will not be subtle taking any photos with this camera, so prepare for people to stare you down and your freshly-blinded friends to complain every time you take a picture. Otherwise, I find it to be one of the best cameras in my ever-growing collection. Shutter Speeds: Most models’ fastest shutter speed is 1/500 but a few models are slower. Later models have a longer maximum shutter speed, up to 2 seconds.

Shutter Speeds: The range of shutter speeds (although selected automatically by the camera) Read More About Shutter Speed. Remember, the film’s speed range is ISO 25 – 3200, giving you the flexibility to experiment with various film brands and speeds. Power Source and Battery Life Type of Lens: There are three types of lenses between all of the models. Fixed length, prime lenses (oldest models), dual-lenses with two focal lengths (middle models), and zoom lenses (later models). Zoom viewfinder with projected frames. 0.34x – 0.65x magnification. Within the image area are the AF frame, parallax correction marks, OK-to-Shoot and camera-shake warning lamp, and flash-not-ready warning. Electromagnetic programmed shutter and aperture. In auto mode and flash-on mode: EV 9.5 (f/4.2 at 1/30 sec.) – EV 17 (f/16 at 1/500 sec.) at 35mm, and EV 12 (f/7.8 at 1/60 sec.) – EV 17 (f/19 at 1/350 sec.) at 70mm. In slow-speed sync and flash-off mode: EV 5 (f/4.2 at 1/2 sec.) – EV 17 (f/16 at 1/500 sec.) at 35mm, and EV 5 (f/7.8 at 1.5 sec.) – EV 17 (f/19 at 1/350 sec.) at 70mm. Built-in electronic self-timer.The switch on the bottom allows users to alternate between normal and panorama modes, a feature exclusive to the Japanese version. did not want specific equipment and contracts, so the places to processors your APS film were far and few between.

The Canon Sure Shot 60 Zoom is a testament to the aesthetics of the ’90s, with its metallic-silver finish and sleek, flat profile, making it a stylish companion for any photography enthusiast. But beyond its looks, the camera offered a range of impressive features for its time: SPC for full-auto program EE. Metering range of EV 6 – 17 (at ISO 100). Film speed range: ISO 50 – 1600 (with DX code). Fixed, built-in flash. Guide No. 10.7 (at ISO 100 in meters). Fires automatically in low-light conditions. Slow-speed sync enabled. Red-eye reduction lamp provided. process film for the few cameras sold. Just like 110 film, the image size was smaller then 35mm and grainer. So there may be filmAccording to the Canon Camera Museum , the Sure Shot 60 Zoom comes with a 38 millimeter, f/4.5 lens, which is zoomable to 60 mm f/6.7. Not the fastest lens, but certainly adequate for daylight photography. I was surprised, however, to read that the lens contains 6 elements in 6 groups, which is more than both the original Canon Sure Shot AF35M, and the Nikon L35AF, both of which have reputations as excellent point & shoot cameras. The fact that the 60 Zoom is smaller and lighter than both makes it all the more impressive. Compact and lightweight, the Sure Shot 60 Zoom measures 121x68x44 mm and weighs just 245g, making it a convenient choice for on-the-go photography. Technical Specifications Feature One interesting thing to note is that the viewfinder also changes magnification to adjust for the switch between half and full-frame. Since you’re basically cropping the image circle in half the lens effectively becomes a 50mm/85mm, which I personally find to be a more compelling duo than 35 and 60, but that’s an entirely personal opinion.

processed, but way more expensive then standard 35mm. So, basically the camera is dead in the water. Every camera company put out The Sureshot Multi Tele is a very simple camera with only 7 buttons and a latch to play with. You can’t change the ISO, you can’t change the shutter speed or aperture, you can’t even turn off the flash (but electrical tape comes in handy). However, there are a couple interesting things you do have control over on this. While the overall experience is pretty similar from model to model, there are some slight differences you should be aware of if you’re looking to buy a Cannon Sure Shot.My biggest fear was that the camera would have light leaks or some other malfunction that would render my images useless. No such worries materialized, though, as this 2-decade old camera proved it was still up to the task of capturing great images. (above) a shot captured in evening light. Note the accurate crisp, almost 3-dimensional feel of this image, especially the sawdust as it recedes toward the tree in the distance. Shot on Fuji Superia X-tra 400 film, Noritsu scanned. Final Thoughts Weight: While every model is decently lightweight, the oldest model on the list weighs almost twice as much as the newest model.

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