Save The Last Dance Original Soundtrack

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She also tells Derek that Sara did not want to dump him, but Chenille's words hurt her to the point of feeling forced to.

She fails the audition and soon learns that her mother was killed in a car accident in her haste to get to it. Soundtracks don’t outperform their accompanying films that often, but in 1998, Def Jam’s Rush Hour soundtrack came close. Also in 2001, the Teen Choice Awards recognized Julia Stiles as Choice Movie Actress and Kerry Washington as choice Movie Breakout Star. There are fourteen tracks in total from the soundtrack that have seen some of the music released as singles and earn chart success on the billboards, as well as accolades, nominations, certifications, and awards. In the movie, when Julia Stiles dances as Sara Johnson, the soul and emotion Athena Cage puts into the song, (All or Nothing), seemed to sum up the desired mood the scene in the movie had portrayed.Negative reviews criticized the editing style of dance scenes, the film's " after-school special"-like subplot, and the script for not delving enough into the issues of interracial relationships. Some user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. Pink’s album, (Can’t Take Me Home), was released in 2000 with (You Make Me Sick) as the third and final single released from it December. Since then, this song has become certified platinum with the United Kingdom’s British Phonographic Industry (BPI), as well as gold with the USA’s RIAA.

The album went both gold and platinum on January 29, 2001 and was certified 2x multi-platinum by the Recording Industry Association of America on May 20, 2002. Her life takes a turn for the better when befriends Chenille and her brother Derek, who helps her with her dancing skills. In the story, Sara Johnson’s first audition into the school fails after learning her mother was killed in an automobile accident on her way to watch her daughter perform. It was a top forty hit among the nations of the Netherlands and the UK, as well as on the urban charts belonging to Australia. Derek arrives at a crucial point in Sara's performance to offer her encouragement and moral support.It was released in 2001 and became a popular music video on YouTube, as well as one of the tracks featured on the Save the Last Dance soundtrack. The song served as an eclipse compared to the rest of the music featured on the soundtrack, thanks to its slow and mellow play with lyrics that seemed to be just as meaningful as the song itself. Canadian album certifications – Various Artists – Save the Last Dance - Original Motion Picture Soundtrack".

You) was the fourth single from Lucy Pearl’s self-titled album that featured the collaborative work of Q-Tip and Snoop Dog. A sequel to the film, titled Save the Last Dance 2, was released direct-to-video on October 10, 2006. Using a sample from Claudia barry’s 1976 single, Love for the Sake of Love, Get It On Tonite served as Jordan’s final big hit in his career as it peaked as high as number four on the US Billboard Hot 100.While performing, Derek's ex-girlfriend Nikki interrupts them and begins dancing with Derek, making Sara retreat to the bar. Critic Wesley Morris wrote "the movie combines the worst of urbansploitation with the worst of teensploitation, and outfits them both in makings of the ultimate racial-crossover melodrama -- teen motherhood, deadbeat teen dads, drive-bys, a dangerous ex-girlfriend, speeches straight from the pages of Terry McMillan.

The soundtrack has since become certified double-platinum by the Recording Industry Association of America (RIAA) and gold by the Australia Recording Industry Association (ARIA). by Ice Cube (as O'Shea Jackson), Mack 10 (as Dedrick Rolison), Don "One Eye" Saunders, Arthur Baker, Afrika Bambaataa, Pow Wow (as Robert Allen), G.Sean Patrick Thomas also became the recipient of the 2001 Young Hollywood Awards for Standout Performance – Male. It spent a total of thirty-nine weeks on the US Billboard Hot 100, peaking as high as number thirteen. Charles Taylor of Salon wrote, "for all its dumb clichés it offers the basic appeal of teen movies: the pleasure of watching kids be kids, acting as they do among themselves instead of how parents and teachers expect them to act.